We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

All Losses Are Restored

by Stian Westerhus & Maja S. K. Ratkje

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      80 NOK  or more

     

1.
In youth when I did love Methought it was very sweet To contract-o-the time, for my behove Oh, methought, there was nothing-a-meet But age with his stealing steps Hath clawed me in his clutch And hath shipped me into the land As if I had never been such Who is the one whose grief is so loud and clear Whose words of sadness make the planets stand still? A pickax and spade And a sheet for a funeral shroud O, a pit of dirt is what we need For such a guest is meet If you loved me Please postpone the sweet relief of death Stabat mater dolorosa Juxta crucem lacrimosa I beg you pardon, Sir, I’ve done you wrong Please, give me me that goblet, if you love me Let go of it! I’ll get it from you, I swear Let go, by Heaven I’ll have it And in this harsh world Draw thy breath in pain To tell my story
2.
Sonnet 30 by William Shakespeare When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unus'd to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancell'd woe, And moan the expense of many a vanish'd sight; Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restor'd, and sorrows end.
3.
Verona 04:25
I have three suns, but all you see is darkness Their beauty shining in the night Like an angel in the black sky Filling these graves with light I'd rather be the whitest snowflake On a black ravens back I'd rather live under the knight’s rule Than to be this fortunes fool Verona, where is my northern star? If I could only see what's happening I could make it all disappear If life was only in the winters night Then death would be like spring Verona, where is my guiding star?
4.
When shall meet us three again? In thunder lightning or in the pouring rain? When the hurlyburly’s done When the battle’s lost and won That will be the set of the sun Where the place upon the heath There to meet To meet with the Macbeth I come, graymalkin! Paddock calls The harpys’ wings disclosed Anon, anon, anon Out, out brief candle Life is but a walking shadow A poor player, a poor play That struts and frets, his hour upon the stage And then is heard no more It’s a tale told by an idiot, an idiot! Full of sound and fury Signifying nothing to me Fair is foul and foul is fair Hover through the fog and the filthy air Hail King, for so thou art Behold where stands the usurpers cursed head The time is free, oh, the time is free! I see thee compassed with thy kingdoms pearl That speak my salutation in their minds Whose voices I desire aloud with mine
5.
Sonnet 73 by William Shakespeare That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed, whereon it must expire, Consumed with that which it was nourish'd by. This thou perceiv'st, which makes thy love more strong, To love that well, which thou must leave ere long.
6.
Sonnet 137 and 46 by William Shakespeare Thou blind fool, Love, what dost thou to mine eyes, That they behold, and see not what they see? They know what beauty is, see where it lies, Yet what the best is take the worst to be. If eyes, corrupt by over-partial looks, Be anchored in the bay where all men ride, Why of eyes' falsehood hast thou forged hooks, Whereto the judgment of my heart is tied? Why should my heart think that a several plot, Which my heart knows the wide world's common place? Or mine eyes, seeing this, say this is not, To put fair truth upon so foul a face? In things right true my heart and eyes have erred, And to this false plague are they now transferred. Mine eye and heart are at a mortal war, How to divide the conquest of thy sight; Mine eye my heart thy picture's sight would bar, My heart mine eye the freedom of that right. My heart doth plead that thou in him dost lie, A closet never pierced with crystal eyes, But the defendant doth that plea deny, And says in him thy fair appearance lies. To 'cide this title is impanneled A quest of thoughts, all tenants to the heart; And by their verdict is determined The clear eye's moiety, and the dear heart's part: As thus: mine eye's due is thine outward part, And my heart's right, thine inward love of heart.

about

To many of their followers’ big surprise, Stian Westerhus and Maja S. K. Ratkje, who are usually associated with effect pedals, samplers, amplifiers and computers at three digit decibel levels, put aside all things electric and performed an acoustic set at Oslo Jazz Festival in 2019.

Ratkje and Westerhus, now armed with a 19th century pump organ, fiddle, acoustic guitar, some metal scrap and their voices, have gradually composed, developed and expanded their new and unique repertoire, performing at concerts, for Norwegian national broadcasting (NRK), and are now releasing this album - All Losses Are Restored.

A Shakespearian wind hit the two as they were looking for inspiration moving on from their first live appearance in 2019. Would it make sense to combine their new musical expression with the mystical, brutal and flowery universe of William Shakespeare’s words? So many songs have already been made, so much music, from large staged works and inspired instrumental works to miniatures. A never-ending textual source. The task seemed both challenging and enticing.

All Losses Are Restored is an album consisting of six new songs (although Verona is previously recorded by Westerhus), all composed by Ratkje and Westerhus and with lyrics solely built upon Shakespeare’s body of work. Most obviously some of the Sonnets, such as number 30, which also contains the albums title. Other Sonnets used are number 73 (That time of year…), 137 (Though blind fool…) and 46 (Mine eye and heart…). Apart from these, a sidekick is given to no less that Hamlet, Macbeth and Romeo and Juliet, with various contextualisations.

In the few occasions where Ratkje and Westerhus have performed live the response has been nothing short of overwhelming. Critics have used terms such as “One of the decidedly strongest musical moments of the year”!

Their musical expression give associations to both the old Kristiania in the 1890's, as well as emigrated Norwegians in the Midwest – reciting Shakespeare whilst loading their guns underneath the table of the saloon!

credits

released March 15, 2024

Composed and performed by Maja S. K. Ratkje and Stian Westerhus.
Recorded, mixed and mastered by Stian Westerhus.
Original artwork by Zoe Keller.
Coverdesign by Håvard Gjelseth.
Released by Crispin Glover Records.

license

all rights reserved

tags

about

Maja S. K. Ratkje & Stian Westerhus Oslo, Norway

Artist site of long-term collaborators Stian Westerhus and Maja S. K. Ratkje.

contact / help

Contact Maja S. K. Ratkje & Stian Westerhus

Streaming and
Download help

Report this album or account

Maja S. K. Ratkje & Stian Westerhus recommends:

If you like All Losses Are Restored, you may also like: